Why is listening to someone never like being told a story, like having something explained, like hearing it spoken, but always like…reading out loud. If you read something, it’s never as interesting as when you share something, explain something, speak about something, it merely sounds like… you are reading something. Here our subject is speaking and reading out loud for listeners. Listening to a speaker should be effortless and fun. You will learn, how to read texts out loud in a variety of styles, to suit the Occasion: professional, ironic, witty, thrilling, or convincing, depending on the purpose. Texts should be read so that they sound as if they were being spoken freely, and should be easy to follow. We also talk about phonation, elocution, breathing, speech impediments, correct emphasis, energy, excitement, delivering punch lines and anything and everything that helps you grab the audience's attention.
Presenting a TV format and speaking in front of a groups are not innate competencies, but something you have to learn. Good TV and media presenters don’t read - they speak freely. They are flexible, quick-witted, and chat freely with their guests. At the same time they are always authentic and they come across as warm and personable. In addition to working with voice, language and body language, the techniques and requirements for different types of broadcast will be discussed and practiced. The goal is to be relaxed and genuine on camera. But I also Train participants how to work with the teleprompter and how to use ist properly.
If you have the opportunity to promote yourself or your company on television or in print, most people are quick to say yes. But without any experience of how to behave in an interview and how to play to the crowd without playing to the crowd, things can go badly wrong. It’s not just about knowing ho media situations like this work, it's about using the opportunity to your own personal advantage. This is especially true, when you're asked difficult questions or even attacked.
If I talk to two or three people, I rarely have difficulty expressing my ideas and presenting my opinion. But standing in front of a group, everything suddenly gets more difficult. Proper training teaches you how to avoid boring your audience to tears or nervously pacing back and forth. Take this opportunity to become a confident and competent Speaker, behind the microphone or on stage. The most important thing in your presentation ist you!
Even trained actors often reach their limits. A director who can’t help, lack of experience in front of a camera, problems with a microphones and extreme anxiety in auditions and interviews are not uncommon. The best actors also know something about directing and have strategies for preparing for auditions and for major roles. How do I make it clear that I want this part without coming across as pushy or desperate? How do I stand out from the crowd? The work of an actor relies largely on a number of particular techniques. Knowing how and when to use these techniques makes it easier to truly shine.
In everyday conversational situations, we communicate with our non-verbal (Body language) and para-verbal (tone) signals. If I know how I come across to other people – what my body language and tone of voice say about me – then I can improve my communication skills dramatically. It's a Tuning-up for your personality. Ego. Improve your effectiveness, understand your counterpart better and learn to deal with conflicts a little more competently. Paying Close Attention and listening carefully will reap countless benefits on a daily basis.
Die Bezeichnung Certified Speaking Professional (CSP) ist eine international anerkannte Qualitätsauszeichnung für Speaker, die besonders hohe Anforderungen an Qualität und Quantität des Speaking erfüllen. Der Titel wird vom amerikanischen Dachverband der Speaker, der National Speakers Association verliehen. Michael Rossié wurde 2013 der zwölfte Deutsche mit diesem Titel. Weltweit sind ca. 10% aller Speaker CSPs.